Art History Book for Blind Users
Virginiaz at aol.com
Virginiaz at aol.com
Thu Feb 12 22:38:53 EST 1998
NEWS FROM OPTICALTOUCH SYSTEMS,
the publishing division of
ART EDUCATION FOR THE BLIND, INC.
a nonprofit organization
For Info or Orders Contact: Kyoko Tokunaga (212) 334-3700;
or e-mail Toku at idt.net
ART HISTORY THROUGH TOUCH AND SOUND
A MULTISENSORY GUIDE FOR THE BLIND AND VISUALLY IMPAIRED
BAROQUE ART IN THE SEVENTEENTH CENTURY
The First in a Pioneering Multivolume Series
Tactile Illustrations of the Major Monuments in the History of Art With
a Companion Audio Narrative
NEW YORK--On March 30, 1998, OpticalTouch Systems will release BAROQUE
ART IN THE SEVENTEENTH CENTURY, the first in a groundbreaking
multivolume art history series for people who are blind and visually
impaired. Developed by Art Education for the Blind, Inc., ART HISTORY
THROUGH TOUCH AND SOUND: A MULTISENSORY GUIDE FOR THE VISUALLY IMPAIRED
is the result of nine years of research, development, and testing. This
innovative audiobook series spans the history of art from prehistoric
through contemporary, including some 600 tactile diagrams illustrating
major monuments in the history of art. Orders are currently being
accepted for BAROQUE ART IN SEVENTEENTH CENTURY (@$149.95; available
now), THE ART OF ANCIENT EGYPT (@$149.95; available fall 1998), and THE
BUILDING BLOCKS OF ART (@$149.95; available fall 1998). Prices
effective through 6/30/98; $224.95 thereafter.
"Art History is no longer a closed book but an open map, leading the
senses through a concert of ideas, a garden of delights," says Marilyn
Stokstad, Ph.D., author of Art History (Abrams/Prentice Hall). "An
interdisciplinary approach incorporating the most recent research in the
fields of education, psychology, and art history," says Paula Terry,
Director of AccessAbility, National Endowment for the Arts. "A model
for other institutions in their search for ways to reach out to special
constituencies," says David A. Ross, Director, Whitney Museum of
American Art. "Timely...a lesson for scholars and students of
perception worldwide," says John M. Kennedy, author of Drawing and the
Blind: Pictures to Touch (Yale University Press).
>From the Venus of Willendorf, dated to about 28,000 B.C., to the most
recent developments in contemporary art, the series guides the reader
through a journey that has long been denied to blind and visually
impaired audiences, as well as to people with diminished sight resulting
from age. Each volume of ART HISTORY THROUGH TOUCH AND SOUND comprises
a bound book of tactile diagrams and a companion audio-narrative (audio is on
standard tape cassette and plays on standard players). The
diagrams utilize a lexicon of seven standardized patterns, enabling the
reader to acquire a familiarity with the tactile vocabulary. The
narrative guides the reader through the diagrams, providing art
historical information as well as richly detailed descriptions of the
works. The success of this two-part system depends on these
complimentary components. Professional art historians, in many cases
highly regarded specialists, collaborated with Art Education for the
Blind's development team to create narratives that convey the historical
richness and formal range of some 30,000 years of visual art.
Color and black-and-white photographs of the works accompany the tactile
illustrations. Image captions--which include attribution, date, media,
dimensions, and location or custodian of the work--are provided in both
large print and Braille. Additionally, interpretive sound-compositions
offer alternative ways of understanding a work of visual art's thematic
essence or compositional dynamic. Each volume includes art-appreciation
activities and a short bibliography. All volumes undergo extensive
clinical trials with blind advisors for content, clarity, and accuracy.
The multivolume series begins with THE BUILDING BLOCKS OF ART, which
introduces the reader to formal concepts in fine art such as
perspective, line, color, and shadow. Among the range of visual arts
featured in subsequent volumes are painting, sculpture, architecture,
mosaic, manuscript illumination, textiles, ceramic ware, tribal art,
earthworks, and installation art. In some cases, multiple diagrams are
used to examine a single work of art. For example, architecture is
explored through diagrams that illustrate ground plans, elevations,
sections, decorative orders, and structural elements. For complex
paintings, a sequence of diagrams is used to illustrate figures,
background, and composite views, as well as details. By separating the
visual information into layers, or stages, the diagram sequence allows
the reader to assemble, piece by piece, an image of a highly complex
work of art.
Today, at least 40 million people worldwide are blind. Approximately 10
million Americans have some degree of serious vision loss or are totally
blind. Age- and AIDS-related eye disorders affect growing numbers of
our population, and each year, 50,000 more Americans become blind.
Access to the history of culture is a right not a privilege. The series
is suitable for a range of audiences, including senior citizens, college
students, young adults, and independent learners. Early versions of ART
HISTORY THROUGH TOUCH AND SOUND have been used in courses at The Museum
of Modern Art, New York, and Drew University, New Jersey. Sighted
readers also benefit from the method used in the series.
BAROQUE ART IN THE SEVENTEENTH CENTURY is authored by Art Education for
the Blind and Paula L. Gerson, Ph.D., Chair, Art History Department,
Florida State University; with Virginia Hooper. Teresa Kardoulias is
the illustrator. Charles Scribner III, Ph.D., is the art historical
consultant for this volume. This richly detailed study begins with a
broad view of the political, social, economic, scientific,
technological, and intellectual background of this remarkable period of
expansion and discovery. The seventeenth century produced the grandeur
of Gianlorenzo Bernini's basilica of St. Peter's, Rome; the
energy-infused space of Francesco Borromini's Chapel of St. Ivo; the
dramatically lit interiors of Caravaggio--the artist who invented
chiaroscuro; the spiritually illuminated works of Rembrandt; and the
exquisitely detailed still-life and landscape paintings from Holland.
These monuments and more are illustrated in BAROQUE ART IN THE
SEVENTEENTH CENTURY. Among the other offerings are works by Pietro da
Cortona, Artemisia Gentileschi, Diego Velazquez, Louis Le Nain, Nicolas
Poussin, Peter Paul Rubens, Frans Halls, Jan Davidsz. De Heem, and Jacob
van Ruisdael.
With the aid of on-site ambiance sound and interpretive
sound-compositions, the sense of hearing is drafted into the pursuit of
visual understanding. The reader explores the bustling sounds of St.
Peter's piazza. By walking through the oval arms of the colonnade and
hearing the echoes of footfalls, the reader acquires a sense of the
spatial dynamics of Bernini's remarkable outdoor space. To understand
Rubens' painting The Gathering of the Manna, an original electronic
musical composition serves as an auditory analogue, offering a
soundscape that evokes the dramatically charged scene of Moses and his
people gathering food in the desert. A festive party atmosphere and the
tinkling sounds of silver and crystal set the mood for De Heem's
sumptuous vanitas painting Still Life with Parrots.
Founded in 1987, Art Education for the Blind, Inc., a nonprofit
organization, provides access to visual art through a range of
educational materials and programs. All profits from the sale of books
will be invested into product development and programming, fulfilling
Art Education for the Blind's mission of providing full intellectual
access to the history and culture of our world.
ART HISTORY THROUGH TOUCH AND SOUND
A Multisensory Guide for the Blind and Visually Impaired
BAROQUE ART IN THE SEVENTEENTH CENTURY
Publication Date: March 30, 1998
Authors for this volume: Art Education for the Blind & Paula L. Gerson,
Ph.D.; with Virginia Hooper
Illustrator: Teresa Kardoulias
Trim size of package: 10 1/2" x 13",
includes spiral-bound soft-cover book and audio-cassettes
Type: 18-point Helvetica & transparent Braille
Illustrations: 29 tactile diagrams; 19 color black-&-white photographs
Audio running time: approx. 9 hours
Price for this volume: $149.95
ISBN: 1-890116-00-9
TO ORDER: 212-334-3700
Publicity: Kyoko Tokunaga, 212-334-3700
Art Education for the Blind
160 Mercer Street
NY NY 10012
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